Dèy – Edwidge Danticat

“I told her that I loved her more than the sea had water.  ‘I love you more than the earth has air,’ she’d say.” Edwidge Danticat’s Dèy (Knopf 2026),  is a delicate and fragile novel of love, grief, and home. Of the seven  books I’ve read that are longlisted for the National Book Award, DèyContinue reading “Dèy – Edwidge Danticat”

THE BOOK OF CHUCK – Latoya Watkins

“And I try to record the scent of outdoors and flowers and dust and lavender and old tears so I can carry it with me.” After reading Latoya Watkins’s Perish, I stated that it wasn’t for me, writing  “There are definite echoes of Morrison and Zora Neale Hurston, but it is much more ragged, rawContinue reading “THE BOOK OF CHUCK – Latoya Watkins”

BEGINNING MIDDLE END – Valeria Luiselli

“This was a story with a mother and a daughter and a beginning. And the story, it turned out, was about everything that we reinvented after that.” This year’s Booker list is extremely male-centric, which infuriates me because it’s not like the pool of eligible candidates was devoid of books that center women. I continueContinue reading “BEGINNING MIDDLE END – Valeria Luiselli”

SWITZY – Emma Cline

“You’re the boss, applesauce – lights out.” “Do no harm – hadn’t he done only a little?” Emma Cline’s Switzy  is the last of the Booker longlist for me, and much like the rest of the longlist, it deals with loneliness, memory, and a rewriting of the past.  David Hastings has Alzheimer’s disease, and heContinue reading “SWITZY – Emma Cline”

THE SECRET LIVES OF MURDERERS’s WIVES – Elizabeth Arnott

“Don’t feel bad. A housewife can’t solve a murder,” he says gently. “Not even one like you.” I really expected to like Elizabeth Arnott’s The Secret Lives of Murderers’ Wives (Berkley 2026). The premise is fantastic: three former wives of serial killers work together to catch a killer that is terrorizing California in 1966. DespiteContinue reading “THE SECRET LIVES OF MURDERERS’s WIVES – Elizabeth Arnott”

SAID THE DEAD – Doireann Ní Ghríofa

Doireann Ní Ghríofa’s Said the Dead (Farrar, Straus and Giroux 9/22/026 – a huge thanks to the publisher for the galley copy)  is one of my top reads of the year. I have to assume it wasn’t submitted for Booker consideration, likely due to the genre-blurring elements that lean heavily into nonfiction, because I can’tContinue reading “SAID THE DEAD – Doireann Ní Ghríofa”

THE SHADOW OF THE OBJECT – Chloe Aridjis

“No more tricks, no more abracadabra, no more misdirection or uncertainty, no more seeing things one way when most people saw them another.” “My mother didn’t mention him, I didn’t mention him, but there he sat in the room with us.” “…she didn’t believe in blank pages…” Right now, Chloe Aridjis’s The Shadow of theContinue reading “THE SHADOW OF THE OBJECT – Chloe Aridjis”

THE END OF EVERYTHING – M. John Harrison

“Whole worlds… trapped in a few daisies, some grapes in a bowl.” “What would she remember about him in the end anyway that could be separated from everything else that happened?” Baffling and bizarre, M. John Harrison’s The End of Everything is a bit Seascraper meets Fringe.  (You remember – the tv show where JoshuaContinue reading “THE END OF EVERYTHING – M. John Harrison”

THE RENOVATION – Kenan Orhan

“Better not to be making memories right now anyway,” he said. “In my father’s reality, my mother had never died and his country had never betrayed him.” “What is the weight of memory?” “Then she died and no one called me that anymore.” There is typically a novel of exile appearing on the Booker longlistContinue reading “THE RENOVATION – Kenan Orhan”

HELEN OF NOWHERE – Makenna Goodman

“Isn’t it a joke, how you can tell a story and other people hear a different story than the one you told?” “Reading became an intellectual pursuit, one of focus instead of escape.” In many ways, Makenna Goodman’s Helen of Nowhere and Missouri Williams’s Vivisectors are telling the same story – just recast with differentContinue reading “HELEN OF NOWHERE – Makenna Goodman”